The monopoly of the same faces is a Ramadan drama enters Moroccan actresses in “artistic unemployment”

The Moroccan art scene has known in recent years an evolution at the level of television drama, despite the criticisms of critics and the public alike, especially because of the same faces controlling dramas and monopolizing screens, in addition to attracting influential people from “social media”, at a time when a group of actresses lived and excluded for years.

A group of Moroccan artists complain of “artistic unemployment”, exclusion from the lights and work that affects them from producers, directors and dramatic works, for the benefit of others who take the lion’s share of series and TV films annually.

The repetition of the same faces in Moroccan dramas is one of the phenomena that reflects a real crisis in the drama industry. Instead of diversity of roles and opening the way for others, we find that Ramadan series and other dramas are going in the same direction every year, as the roles of heroism and other roles are limited to the same faces that still control the arena; In one season, you can find it more than 4 different works, which disturbs the audience.

Among the Moroccan actresses that have been absent from the dramatic arena for many years, we find Bushra Aharish, Najat Al -Wafi, Fatima Atef, Nisreen Ashour, Hanan Zaidi, Maria Sadiq, Al -Raiba, Asmaa Al -Khamlishi, Kholoud Al -Batewi, and other screen stars who presented distinguished roles and known the strength of diagnosis and high talent, but they entered the deadly forgetfulness The screen with the audience.

A Moroccan actress who refused to mention her name for fear of entering the “black list”, said, in a statement to Hespress, revealed that the real problem is due to the followers of some of the companies producing the “clients” system, as it depends on all the works that it carries out on the directors themselves and the casting itself, which makes it enter into a state of stereotypes and repetition with the different scenario only.

The spokeswoman denounced the presence of some of her colleagues during the current season in six television works, while a large group of marginalization suffers from, saying that “the blame here is not given to them, because the actress is doing her profession, and when the project is suggested to her, she will not reject it, because in one way or another she remains the source of her livelihood.”

She added that the matter has become urgent intervention from those responsible for the productions shown through national channels, highlighting that “the artistic field has become controlled by lobbies, and you find the same name participating in the series, films and advertising links as well.”

For her part, actress Fatima Atef said that her absence from television is not in her hand, explaining that despite her presence in the cinema, the first field should not be canceled, because she started her artistic career with the theater, the small screen, then the big.

She continued that she needs to come on television as well, especially since a large group has become a follow -up, but with conditions, “is the elaborate writing, and that the proposed role is written with mastery and not a supplementary for anyone, in addition to a believer director who puts each actor in his right place.”

Atef stated that she was previously saying, “The arena is nine,” but now she says: “No, the torrent has reached the cock, and it is not possible to take the place of another person who went to this field with passion, love, study and composition,” adding that a person should not be entered from another world to the public and the abolition of the professional and academic actor.

In turn, Moroccan actress Alia Al -Khasab criticized the monopoly of the same artistic faces of the productions presented annually on the national channels during the holy month, at a time when some young artists and pioneers suffer from marginalization and exclusion.

The passengers said that “the artistic works that are shown in Ramadan are focused on a group of artists and not others,” adding that “the faces themselves are repeated annually, which has become almost normal, as there are certain artists who have many series and their presence is sweeping, which makes the spectator during its transmission between the channels watching the same faces as if Morocco does not have other representatives.”

The same spokeswoman continued, in a video clip she shared on her official channel on YouTube, saying: “We have artists who are able to give, but they are not called on, and they are marginalized, while one person is given the opportunity more than five times to appear in the screen in every stereotype, and this is a great injustice; The state’s money must be distributed fairly. I am not only talking about myself, but also about all the excluded artists who have been rust in abundance for years. It is not how things walk. I see a group of artists in the waiting row, but they are silent for fear of entering the black list in which they are originally, so I invite them to get out and express the reality they live. ”