Isolation in the cinema … existential anxiety and the complications of political and social dimensions

The concept of isolation and loneliness in the cinema has always been a thorny, deep and attractive subject that goes beyond species, languages ​​and eras. From the beginnings of silent cinema in the early twentieth century to contemporary masterpieces today, the place of isolation in the cinema finds a deep resonance in its treatment of different angles, as it offers a mirror of human experiences and special feelings. This topic is often loaded with deep symbols and psychological aspects, as it provides fertile floor for filmmakers and the script book to delve into the complications of the humanitarian state. How can the issue of isolation develop throughout the development of cinema, the sensitivity of directors and cinematic trends?

Isolation and body language

Isolation and loneliness in the cinema can be defined as depicting characters who suffer from a deep feeling of separation from their surroundings, whether physical, emotional or psychological. This separation can be manifested in various forms, including physical isolation in remote locations, emotional isolation within social environments, or existential unity as a result of internal conflicts. The development of this topic in cinema reflects changing societal contexts stimulated by technological progress that has formed art over the decades.

The topic of isolation was transferred in the silent cinema era, often through the visual narration, depending on expressions, body language and cinematic composition to communicate with the internal disorder of the characters. Where films such as “The Child” were used by Charlie Chaplin and “Sunrise: a song for human beings”. and. Murnu the visual intermediary to photograph individuals’ struggles against the backdrop of a rapidly changing world. The absence of dialogue in silent films has caused more focus on visual signals, making the imaging of isolation and loneliness more influential.

With the transition of cinema to the era of sound, exploring isolation and loneliness became more detailed, as the dialogue and sound design added new layers of meaning. Films such as “Citizen Kane” were used by Orrson Wales and “The Back Window” of Alfred Hitchcock, the auditory dimension to enhance the emotional depth of the isolation of her characters. In “Citizen Kane”, the iconic scene of Charles Foster Kane embodies and whispered “Rosed”, the deep feeling of loss and nostalgia that determines the personality journey. Likewise, in the movie “The Back Window”, the limited space of the hero’s apartment represents a metaphor for his emotional and psychological imprisonment.

Isolation: existential anxiety and spiritual ruin

The post -war period has witnessed increasing interest in existential topics, as film makers explored the philosophical dimensions of isolation and loneliness. The works of Emstar Bergman, especially the “seventh seal” and “wild strawberries”, dealt with existential anxiety and spiritual ruin of her characters. Bergman’s films were often met between arid landscapes and contemplative dialogue, which created a feeling of isolation that transcends the material field and penetrates the soul.

The cinema explored the psychological dimensions of isolation and loneliness by photographing the internal conflicts of the characters and their relationship with them. The movie “Permanent Nour for a Clean Reason” by Etranal Senchain of The Sputs Mind is a prominent example of how human relations and emotional unity. The film reflects complex emotional experiences and reviews how unity can be part of the deep human experience. The journey of characters in erasing their memories express the tension between emotional pain and the need to keep memories as part of the personal identity.

In the movie “The Black Swan” of Arnnovxi, Nina suffers from psychological isolation while seeking perfection in her dance. Her journey embodies the internal conflict between ambition and fear, which leads to the deterioration of her mental state, as she expresses in her masculine moments that “perfection is not the goal, but to reach the maximum limits” reflects the internal pressure that Nina faces as an expression of the great psychological price that she pays as a result of her isolation.

Isolation and social dimension

The cinema also dealt with isolation and unity from a social perspective, exploring how human relations and social interactions affect the individual. The movie “No Land” for the Damian of Chazel deals with isolation in the context of seeking to achieve dreams and aspirations. Sebastian and Maya faces social and emotional pressure that isolates them from the world surrounding them and from each other, which reflects how isolation can be the result of a strong focus on personal success.

In the words of the film’s hero, “My dreams are almost crystallized, but they are far from the reach of my hands” expresses a sense of frustration and separation from reality.

The movie “Manchester on the Sea” by Kenneth Longan is separating the effect of isolation on family and personal relationships, where Lee Chandler’s character suffers from emotional isolation after losing his family, and the film shows how unity affects his ability to communicate with others. This topic reflects the challenges facing individuals in restoring their social relations after painful experiences. The character lives in pain and expresses it that “the pain will not disappear, but it becomes part of us”, expresses the constant struggle facing me in an attempt to rebuild his life.

Solving and political dimensions

The cinema explored isolation and unity in a political context, reviewing how the social and political system affects the individual. The movie “The Taxi Driver”, directed by Martin Scorsese, is a prominent example of this. The film reflects the social and psychological isolation of Trainis Picky in New York City after the Vietnamese War. Travis’s journey reflects the feeling of alienation and separation from society, which leads him to violence in the end and chanting it “here a man who will not take it anymore”, expresses the deep anger of Travis and his dissatisfaction with the moral deterioration in society.

In the movie “Mechanical Orange”, Stanley Kubrick deals with isolation in the context of the political system and social control. The film reflects how isolation is the result of social and psychological control, as Alex is converted into an isolated person after undergoing a forced rehabilitation program, his expression of a kind of inner heartburn “What is the value of being a man without will?” The internal struggle of Alex and the tension between individual freedom and social control reflects.

Solving and symbolic dimensions

Cinema is used by isolation and unity as a symbol to explore deeper issues related to identity and existence. The movie “The Lumin” by Stanley Kubrick is a prominent example of using isolation as a borrowing of madness and psychological disintegration. The film reflects the psychological transformations of Torrance during his stay in a isolated hotel, where his mental state is gradually deteriorating.

The movie “Under Skin” by Gonathan Glazer explores the existential isolation and human experience through the story of a space object that denies a humanitarian form. The film reflects how isolation can be part of the search for identity and human experience by asking the character as an existential question “I want to understand what it means to be a human being”? It is a question that expresses the personality journey in exploring the human world and feeling separated from it.

Exploration of isolation and unity in the cinema is closely related to the political, psychological, social and symbolic dimensions of human existence. Politically, films such as “Taxi Driver” and “Network” are critical of isolation and disappointment generated by societal systems and institutions. Psychologically, films such as “Black Swan” and “disgust” deals with the internal ideas of the mind, illustrate the slope of madness and retail identity. Socially, films such as “separation” and “Manchester on the sea” explore the effect of isolation on family and personal relationships, highlighting the difficulties of communication and communication. Symbolically, films such as “gloss” and “subcutaneous” are used as isolation as a borrowing of deeper existential and metaphysical questions, and the nature of reality and identity.

Insulation and intellectual and cultural dimensions

The isolation and unity in the cinema reflects philosophical and psychological inquiries and cultural criticism, as many directors were inspired by the works of philosophers such as Albert Camus and Jean -Paul Sartre to investigate the topics of absurdity, freedom and existential anxiety. The movie “Divine Comedy” of Federico Felini reflects these ideas by photographing the existential journey of the main character in the search for meaning in a world that appears free of values. The film reflects the effect of existential philosophy on understanding isolation and loneliness.

Sigmund Freud and Carl Young theories also affected films that deal with the unconscious mind and the complexities of human desire and suppression. The movie “The Lower World” of Luis Bonwell explores these ideas by photographing the psychological conflicts of the characters and their relationship to their environment. The film reflects how isolation can be the result of internal conflicts and pent -up desires.

The intellectual and cultural dimensions of isolation and unity in cinema also reflect broader philosophical inquiries and societal interests. Film makers are often based on existential philosophy, psychological analytical theory and cultural criticism to form her perceptions of isolation, for example, Albert Camus and Jean -Paul Sartre works on films that explore the topics of tampering, freedom and existential anxiety. Likewise, Sigmund Freud and Carl Young theories affected films that deal with the unconscious mind, the complexities of human desire and suppression.

Isolation from the perspective of cinematic trends

The new wave in France brought a new perspective on the issue of isolation and loneliness, as directors such as Francois Truvo and Jean -Luke Godar tried the narrative structure and visual style. “400 blows” for Francois Trofu, influentially the emotional isolation of a young boy, Antoine Duainel, whose conflicts with power and society’s expectations reflect a generation of frustrated youth. The film “Al -Hathtar” of Guadar reflected characters facing isolation in modern urban life with a mixture of separation and ridicule.

Exploration of isolation and loneliness took new dimensions in contemporary cinema, which reflects the complexities of the modern world. Films such as “lost in translation” by Sophia Coppola and “She” by director Spike Jones are dealt with separation and nostalgia, which distinguish contemporary relations. Sofia Coppola depicted in the movie “Lost in Translation”, the unlikely link between two lonely souls in the bustling city of Tokyo, while “She” explores the intersections of technology and human intimacy, where the hero is an emotional link with industrial intelligence.

Famous directors such as André Tarkovsky, Tirins Malik, and Wong Car Way have also contributed greatly to the issue of isolation and unity. The Tarkovsky films “Solaris” and “Stallker” are reflection explorations of human isolation and existential research, characterized by its slow pottery and poetic images. Tyrens, the owner of the “Tree of Life” and “The Red Red Line”, meets the nature of nature and the internal disorder of its characters, which creates a feeling of physical and material isolation alike. The Wong Car Way movies “in the mood of love” and “Chungkking Express” are captured and transient of human prayers, against the backdrop of loud urban scenery.

Some of the most famous categories in this field that pick up the essence of isolation and unity in the cinema, as in the movie “Lost in Translation”, Bob Harris notes in an effective way, “Whenever you know who you are and what you want, you reduced the allowance of things to annoy you.” This statement reflects the journey of self -discovery and the search for meaning amid noise and dispersion in modern life. In the movie “The Taxi Driver”, the frightening travelene monologue reflects “here a man who will not take her anymore,” the deep feeling of isolation and his descending into violence as a reaction to the moral decay of society.

The issue of isolation and unity in the cinema is a rich, multi -faceted ground for the humanitarian state, from silent films to this day, as film makers used isolation with its complex and thorny formats to delve into the depths of the human experience, which reflects the complications of the political, psychological, social and symbolic dimensions surrounding it. The development of this place in the cinema reflects the broader cultural and intellectual trends, which provides the masses deep diving to understand their own experiences in isolation and communication. A translation of the famous saying of Henry David.

Moroccan writer